As reported by Opel
Rüsselsheim - Opel’s Vice President of Design Mark Adams gave his team the briefing: “show me the most emotional side of Opel’s new design language, ‘sculptural artistry meets German precision’.” What they created, the GTC Paris concept car, will be shown for the first time at the Mondial de l’Automobile 2010 (October 2 – 17).
Coming close on the heels of the new generation Astra Sports Tourer, which will also debut at the Paris motor show, the GTC Paris is the next bold step of a newly shaped Opel line-up.
Inspiration for the concept was partly derived from a quote from Richard Bach’s famous novel, Jonathan Livingston Seagull “…and the speed was pure beauty.” This phrase is embodied throughout the character of the car with dynamic sweeping lines, beautiful sculptural surfaces, and a wide muscular stance. This three-door compact is bold yet pure and is very iconic in presence. The GTC Paris is conceived to be the obtainable dream car delivering German engineered precision and innovation, matched with eye-popping design.
Distinctly a new Opel – with an emotional tribute to performance
At 4.46 meters, the GTC Paris is the ideal size for a compact, sporty car, but it still offers room for five passengers. Most iconic cars have been drawn from the side. Many can be sketched with two or three sharp lines. So, too, with Opel’s new concept car: In profile, the designers have maximized tension by limiting the amount of lines in the GTC Paris. Similar to tendons in a sprinter, these lines create tension and provide a sculpted shape. They serve as the foundation to which the highlights and surfacing react and press to the wheels in a very athletic fashion.
The Opel signature blade is introduced in the same direction as first seen in the Insignia – a fine, tense crease along the rocker panel. A second line shoots from the door handle to the rear, emphasizing the vehicle’s dramatic stance by spreading the surfaces to a fine undercut and a broad shoulder. The third line following the silhouette of the roof is finished in finely brushed aluminum that accentuates the window graphic, guiding the eye to the sharply distinct integrated spoiler.
The front is clean yet full of character and features Opel’s typical centerline crease. It is further accented by intense, very slim eagle-eye shaped headlamps acting as parenthesis between the refined chrome emblem bar and the dramatic low trapezoidal grill which hints at its sporty character. Signature LED daytime running lights are outlined with finely crafted chrome inserts that can stand as a piece of sculpture by themselves.
Rüsselsheim - Opel’s Vice President of Design Mark Adams gave his team the briefing: “show me the most emotional side of Opel’s new design language, ‘sculptural artistry meets German precision’.” What they created, the GTC Paris concept car, will be shown for the first time at the Mondial de l’Automobile 2010 (October 2 – 17).
 |
| Photo: Opel |
Coming close on the heels of the new generation Astra Sports Tourer, which will also debut at the Paris motor show, the GTC Paris is the next bold step of a newly shaped Opel line-up.
Inspiration for the concept was partly derived from a quote from Richard Bach’s famous novel, Jonathan Livingston Seagull “…and the speed was pure beauty.” This phrase is embodied throughout the character of the car with dynamic sweeping lines, beautiful sculptural surfaces, and a wide muscular stance. This three-door compact is bold yet pure and is very iconic in presence. The GTC Paris is conceived to be the obtainable dream car delivering German engineered precision and innovation, matched with eye-popping design.
Distinctly a new Opel – with an emotional tribute to performance
At 4.46 meters, the GTC Paris is the ideal size for a compact, sporty car, but it still offers room for five passengers. Most iconic cars have been drawn from the side. Many can be sketched with two or three sharp lines. So, too, with Opel’s new concept car: In profile, the designers have maximized tension by limiting the amount of lines in the GTC Paris. Similar to tendons in a sprinter, these lines create tension and provide a sculpted shape. They serve as the foundation to which the highlights and surfacing react and press to the wheels in a very athletic fashion.
The Opel signature blade is introduced in the same direction as first seen in the Insignia – a fine, tense crease along the rocker panel. A second line shoots from the door handle to the rear, emphasizing the vehicle’s dramatic stance by spreading the surfaces to a fine undercut and a broad shoulder. The third line following the silhouette of the roof is finished in finely brushed aluminum that accentuates the window graphic, guiding the eye to the sharply distinct integrated spoiler.
The front is clean yet full of character and features Opel’s typical centerline crease. It is further accented by intense, very slim eagle-eye shaped headlamps acting as parenthesis between the refined chrome emblem bar and the dramatic low trapezoidal grill which hints at its sporty character. Signature LED daytime running lights are outlined with finely crafted chrome inserts that can stand as a piece of sculpture by themselves.
 |
| Photo: Opel |